Patty Jenkins is the First Woman to direct a superhero movie for a major studio. In May, 2017 her film Wonder Woman opened to the biggest weekend box office for a woman director in the history of cinema.
Diana Prince, Wonder Woman’s civilian identity, had a long road from Themyscira, where she is princess, to the big screen. First the film had difficulty finding a studio. Then the movie was predicted that it would fail. Because Catwoman and Elektra had flopped, studio executive assumed the same would be true of Wonder Woman. Did studio executives not consider quality when making decisions. Just look at the rankings for the movies: Rotten Tomatoes gave Catwoman only 9% and Elektra 10%, whereas Wonder Woman received a 95% ranking on Rotten Tomatoes.
Forgive my snide aside here, but both Catwoman and Elektra were directed by men. Perhaps it takes a woman to appreciate the complexity of a woman superhero and produce a quality film about her. That, of course, is not be fair. Male directors succeeded with both Rogue One and The Hunger Games, successful films about strong warrior women. Perhaps the studio executives didn’t watch those films when they decided Wonder Woman could not succeed.
The large box office numbers are great, but the best part of the Wonder Woman is the reaction of young girls around the country. They are captivated by this character and emulating her costume as well as her strength and high morals.
Awards at Festival de Cannes
In May, 2017, Sofia Coppola also won Best Director at the Cannes Film Festival. Her movie The Beguiled, based on a book by Thomas Cullinan, is the story of an injured Union soldier who is cared for in a boarding house of Confederate women during the Civil War. Nicole Kidman, Kirsten Dunst and Elle Fanning star along with Colin Farrell.
Coppola is actually the second woman to win the award but it has been a half century since the First Woman won Best Director recognition. In 1961 Soviet director Yuliya Solntseva won the Best Director prize for her film about World War II, The Story of the Flaming Years.
The most prestigious award at the Cannes Festival is the Palme d’Or. In the seventy-year history of the Festival, the Palme d’Or has been presented under various names, but only once has it been awarded to a woman. In 1993 Jane Campion received the prize for her film The Piano, but she shared it with Chinese film director Chen Kaige and his film Farewell my Concubine.
The most promising thing about these achievements by Coppola and Jenkins might be the fact that the characters they portrayed were created by men. Women’s stories written by men and interpreted by women. It seems to be a winning combination, a true reflection of the meaning of feminism.